The art appeared to resonate with many members of the public, evoking a sense of sadness for something that’s been lost amid China’s decades-long construction boom.
Children appear frequently in the work, lovingly clutching small representations of their homes to their chests, or wearing them, like bags, on their backs.
The publicity, though, attracted dozens of curious visitors and amateur photographers to one of the demolition sites in Shanghai’s Jing’an district
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